It wasn’t logical but it made complete sense. Tommy Lee has rocked every continent multiple times, he’s sold millions of records with Mötley Crüe and on his own; he’s done everything a musician dreams of doing. Except this: he’d never made a record with the entire world. “This really was one of the most incredible experiences I’ve had making a record, other than the first time I made a record – because there’s nothing quite like popping your cherry!” Tommy says. “This record was the craziest thing ever. Parts were sent in from all over the world by people wanting to participate in the first once-in-a-lifetime global collaboration. It was insane dude!”

The result is the second Methods of Mayhem album, A Public Disservice Announcement, the first truly collaborative effort an artist of Tommy’s magnitude has ever dared to attempt. The concept came easy, the execution did not – it took time, technology, patience and dedication. The first step was to set the parameters. Tommy and his team, including producer Scott Humphrey, singer-guitarist J3 and others, wrote and recorded the songs, which ran the gambit from hard rock anthems to ballads to dance tracks. Then they made the core components of each song available for download on thepublicrecord.com to anyone who wished to add their playing or otherwise re-interpret the music however they saw fit. Tommy listened to every single submission that was uploaded, chose the best, and integrated the actual audio tracks into the album’s final cuts.

“Some people were confused because no one has attempted anything like this before,” Tommy says. “I got a lot of emails asking me if they’d get songwriting credit if their part was used. That wasn’t the case, because all of these songs were already written and recorded.” That’s not to say that the many contributors will remain anonymous, however. Every single musician whose part was used is credited and thanked on the album. “Credit doesn’t always happen in the music industry – or any industry – when you’re starting out,” Tommy says. “And it hardly ever happens the first time you do something. I’ve done plenty of things for the credit, not the check, so I made sure that all of the people who sent us things we used were called out for their work. Take it from me – credit lasts forever, money doesn’t!”

The song files were made available on The Public Record on October 5th, 2009. By the end of the submission period in February, 2010, the page was viewed over 1 million times and over 10,000 submissions were uploaded. The music Tommy received was all recorded in ProTools, Logic or Garage Band. And if a would-be collaborator had none of those, they were able to download a program called Riff Works for free from the website. What came back once the public got its hands on the raw ingredients was truly all over the map – just as Tommy had hoped.

There were techno tracks sent in from the foothills of Osaka, Japan, there were hand drum rhythms sent in from India and searing guitar solos sent from as close to home as San Diego. There were also plenty of sounds to confuse and boggle the mind. “Some crazy dude from Prague I think it was, sent in a spoken word track that had nothing at all to do with the song,” Tommy says. “It was this bit about ‘the cow’s moon being in the sky, parting the broken winds of the clouds of the sea.’ I turned to my producer and was like, ‘I don’t know what he’s talking about but I want what he’s got!’”

In his work outside of the Crüe, Tommy always challenges himself musically, so the greatest side effect of this project was his exposure to so many new ideas. “When you hear something totally left field,” he says, “you realize that someone is hearing the same song so differently than you are. It makes you think about how you wrote it – and there’s pros and cons to that.” One of the pros, was that the song “Back to Before,” which started out as a rock song, ended up as a dance song. “This guy from France sent in this complete re-edit – he made it into a full on dance track. Anyone who knows me at all knows I love dance music, so when I heard it, that was it! It threw the song into a full 360°. We pumped the breaks and started over.”

Tommy, along with his producer and band listened to about 1500 submissions a week – over 200 a day. For all of the memorable oddballs, there was an over-abundance of talent. “There is a lot of undiscovered talent out there, from kids just getting started, to shirt tuckers who have a 9 to 5 that just rock out in a bar band on the weekends. They don’t want to be famous, but those guys are stars.” Tommy’s greatest reward, however, was the appreciation he received for giving those unsung heroes a chance. “I got so many emails thanking me for the opportunity,” he says. “I kept thinking of myself at 15. If Led Zeppelin had put tracks online and I’d ripped a few beats in my parents garage, sent them in and they’d used them? I would have died!”

Though the project is called Methods of Mayhem, it bears little resemblance to its first incarnation – except for the fact that it’s unlike anything else you’ll hear this year. “When I founded Methods in 1999, the whole purpose of the band was to be all over the place,” Tommy says. “And in keeping with that, this Methods isn’t anything like the last one. There’s no hip hop and there’s no roster of guest stars. This time, it’s me, my band, and the world.” When Methods of Mayhem brings A Public Disservice Announcement on tour to the public that helped make it later this year, expect more of the unexpected. “There’s some technology out there right now video and lighting wise that is blowing my mind,” Tommy says. “I do a rock band with Mötley. Methods is not going to be that kind of set up. I want something like Daft Punk but unique to this. I want a real robot playing bass. I want the show to start at the mixing board. I want to do everything you’re not supposed to do and hope it works. This is going to be something else, something I’ve never done before – that’s my goal.”

- Watch for the first single, “Time Bomb,” to drop in March and the album, A Public Disservice Announcement in May, 2010.

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Found this record at the Thrift store. Can you name the Title and Artist?

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Please help us earn a 250,000 dollar grant from Pepsi:

Goals

* To reduce the death rate from oral cancer
* To promote oral cancer screenings
* Let it be known, if found early oral cancer has a 80-90% survival rate

Overview of the The Oral Cancer Foundation

Is a killer hiding under your nose? In America, 100 people are newly diagnosed with oral cancer everyday, making it the sixth most common cancer. Surprisingly, this sixth most common cancer has one of the highest death rates. Almost half of those diagnosed do not make it past five years, and the rate of those diagnosed is on the rise. This high death rate is not occurring because these cancers are hard to discover, it is because of a lack of public awareness combined with a lack of a national program for screenings. The Oral Cancer Foundation can take that rate down by promoting oral cancer screenings through a public service announcement that will reach every household with a TV in America. Spreading the message to ask your dentist for an Oral Cancer screening. Oral Cancer is a hard disease to swallow. Detection can be easy, treatment is not! With $250,000, the Oral Cancer Foundation lowers the death rate from Oral Cancer.

How will the 250K be Used?

OCF will use all $250,000 to cover the cost of a nationwide public service commercial during April, oral cancer awareness month. We will use our volunteers and staff to film the commercial eliminating extra costs.

Vote Today

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Join us on Saturday February 6th in Miami for a Pre Superbowl party at Play Nightclub.

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Check us out January 27th through February 5th.

Jan 27, 2010 Edmonton AB CA - Oil City Roadhouse
Jan 28, 2010 Regina SK CA - Day Off
Jan 29, 2010 Winnipeg MB CA - Club Blush
Feb 01, 2010 London ON CA - Day Off
Feb 02, 2010 Quebec City QC - Day Off
Feb 04, 2010 Toronto ON CA - Brant House
Feb 05, 2010 Montreal QC CA - Musique

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Event: New Years Eve 2010 feat. Tommy Lee & DJ Aero @ Primal
When: Thursday, December 31, 2009 (8:00 PM – 2:00 AM)
Location: Primal
Address: 960 Spring Street, Atlanta
Tickets: Buy Tickets

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Guitar Center announced that Tommy Lee and the Street Drum Corps’ Frank Zummo will present “Bezerk” – an exclusive project commissioned by Guitar Center, featuring some of today’s top drummers and artists – as part of the upcoming Drum-Off Grand Finals, taking place January 8, 2010 at The Wiltern in Los Angeles. Artists performing in “Bezerk” include Chad Smith (Red Hot Chili Peppers), Matt Sorum (Guns ‘N Roses, Velvet Revolver), José Pasillas (Incubus), Abe Cunningham (Deftones), DJ Aero, Sully Erna (Godsmack), Jay Weinberg, BANG! and others to be announced. Hosted by Stephen Perkins (Jane’s Addiction), this historic evening will also include a very special tribute to John Bonham by Jason Bonham, along with an exclusive collaborative performance by Danny Carey (Tool) and Brann Dailor (Mastodon).

These all-star drummers will all come together on one stage to celebrate the night’s main event:

Performances by the top five undiscovered drummers in the nation, who will compete in front of a capacity crowd and a panel of celebrity judges to see who will win a prize package worth more than $40,000 and the title of “Guitar Center Drum-Off Champion” – the nation’s top undiscovered drummer. Guitar Center will also induct drum icons Billy Cobham and John Bonham into Guitar Center’s Drum Legends as part of the evening’s festivities.

Tickets for the show are only $10, and are on sale now at LiveNation.com.

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Come Join us as we celebrate the holidays with Groove Radio. This years event is being held at Playhouse in Los Angeles.

21 & Over event – 8:00 PM to 2:00 AM. The lineup is insane come check it out.

It’s a toy drive so we please ask you to bring an unwrapped toy worth at least $10 or make a cash donation.

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